Reblog if yours will too (and feel free to include anything i missed)
Reblog if yours will too (and feel free to include anything i missed)
"you promised you wouldnt do that thing"
"loghain promised to support the wardens at ostagar. welcome to the real world."
The initial confusion when I think where the hell Ostagar is on the Wheel of Time map, until I realise that that’s Logain, not Loghain, and there’s no wardens in WoT.
Actress Chloe Bennet says changing her name changed her luck
Chloe Wang’s fortunes in Hollywood improved dramatically when she decided to change her surname.
She says within days of adopting her father’s given name — Bennet — as a family name, she landed her first big acting gig.
That was on the TV series Nashville, in a recurring role as record company assistant Hailey.
“I was having trouble booking things with my last name. I think it was hard for people to cast me as an ethnic, as an Asian American woman,” says Bennet in an interview with the Star. “But I still wanted to keep my dad’s name, and I wanted to respect him, so I used his first name.”
The Chicago-born Bennet became one of the breakout stars of the current TV season, playing computer hacker Skye on Marvel’s Agents of S.H.I.E.L.D., the number one new series on Canadian television. Her role is also central to the first season, as the show has unveiled more of her origins each week leading up to a May 13 finale.
But her experience as an actress of colour — her father is ethnically Chinese and her mother is Caucasian — isn’t new. Actors and actresses have been changing their names since the dawn of the industry. After all, it’s arguable whether Bernard Schwartz would have made it in the movie business if he hadn’t changed his name to Tony Curtis. Closer to home, British Columbia-raised actress Meg Tilley (Bomb Girls) changed her name from Chan because of fears of racism growing up.
Still, things are shifting in the industry: two prime time series have women of colour in their leads — Kerry Washington in Scandal and Lucy Liu in Elementary.
In the Marvel production, Bennet shares air time with Ming-Na Wen (ER) who plays a S.H.I.E.L.D. agent and the show is co-produced by Maurissa Tancharoen, who is of Thai ethnicity.
“It’s been great to be a part of a show which is groundbreaking in terms of being an American woman and being Asian on television because there’s people who don’t see a lot of that and I’m really proud of it,” says Bennet.
Marvel has had something of a reboot in the second half of the season after it didn’t live up to critical expectations. But it has remained popular, and among the top five most watched shows in Canada. The retooling meant the series is a little tougher-minded, and less obviously a production from ABC’s corporate parent Disney.
As the show heads into the finale, S.H.I.E.L. D is in disarray and arch enemy HYDRA has been resurrected.
Skye’s character and origins are also central to the theme of the show, as she is on a journey to discover who her parents really are. Born in a Chinese village in Hunan province, the entire village was killed defending her when she was an infant. She was subsequently sent to a series of orphanages and foster homes. Another key thematic thread in the show is finding out whether she may possess a super power. She is also the central love interest, playing off against agent Grant Ward (Brett Dalton) in a game of deception.
“The show is getting a little bit darker, it’s a little edgier and you’ll see that as we progress it will be crazy,” says Bennet. “Skye finds out a lot about her family coming up, or lack thereof. She doesn’t know where she’s from or if she’s human, or alien, if she has powers. She has no idea, so we’ll be seeing a lot of her finding that out.”
Growing up in Chicago, Bennet joined the Second City youth ensemble at age 12, studying improv.
Several years later she was signed by a music management company and moved to China, where she lived with her grandmother.
She lived in Shanghai for almost two years and released a debut single “Uh Oh” in Mandarin and in English.
“I studied Mandarin everyday. I really never spoke it before I went over there and I kind of became relatively fluent and I’ve actually lost pretty much all of it since then,” she says. “But it was an incredible experience.”
Her fan base has exploded exponentially from her music days.
“When we do go out, and we run into fans, it’s really great. I’m just as excited to see them and it’s really been a pretty incredible, fantastic ride into this Marvel universe.”
When you see a complete manga or comic posted by someone other than the original artist, please don’t reblog. It’s one thing to privately enjoy a bootlegged work and another to publicly advance its spread. I try to refrain from getting negative about piracy on this blog, but it saddens me when I see it directly affecting artists who I love.
Seizoh Ebisubashi is a truly freelance, full time gay manga artist. He left G-men last year to pursue an independent career in this niche within a niche. Ebisubashi voluntarily shares a boatload of his artwork on Tumblr in an effort to directly reach fans. Recently, he’d noticed a surge of postings by other users sharing his comics in their entirety. Here’s what he wrote about the subject in a Tumblr post last week. Translation by Anne Ishii:
"Hi. Nice to meet you, this is Seizoh Ebisubashi. I have a message concerning the manga you recently published on your Tumblr. I’m glad you were able to enjoy my manga but when you post it for free for anyone to download it seriously damages my ability to keep up paid publishing work and has a direct effect on my life. If you could at least read it on your own and not make it public, I’d be grateful."
I sent the above message to a Tumblr account that posted one of my works in its entirety. It’s not like it’s the first time this has happened. My stuff has been published without permission before, but it’s been work from magazines and compilations, scanned and uploaded, which isn’t to say it’s fine, but at least it’s limited in scope, and I reason to myself, it might serve as some kind of publicity for my complete works. Whereas this is the wholesale publishing of an entire story by one person—three volumes—and if someone sees that it’s available for free they will think it only their due right to read it for free going forward. It cuts directly into my income and has a profound effect on my life. I just ask that anyone encountering this consider resisting the urge to download the work and suffice with the previews I offer on my own site.
I’ve been publishing my work in JPEG format because I trust my readers not to exploit it, but if this keeps up I will have to publish in a non-downloadable PDF format that probably won’t be viewable on Macs [ed note: with a type of manga DRM that’s notoriously clunky and only works on certain operating systems]. At the very least, if you come across a free downloadable version, please don’t then spread it or publish it on your own site.
The posts he’s referring to tend to have hundreds of likes and reblogs. Once these bootlegs become ubiquitous, Ebisubashi stops getting paid for his work, and it becomes impossible for him to make art for a living. But you can break the chain! By just not reblogging. Reblogging a bootleg comic may seem like a small, meaningless gesture, but it directly counters the efforts of the artists whose work you’re enjoying.
I won’t pretend that I can offer a complete solution to the problems of accessibility through our small (but earnest!) efforts at MASSIVE. Anne and I are passionately engaged in eliminating the divide between gay mangaka and English-speaking gay manga fans. We want to get so much more manga translated and published here— but it’s not a fast or easy process and we still have a long way to go.
In the meantime, artists like Ebisubashi are doing their best to offer their hard work to readers directly through sites like Digiket and BOOTH. Let’s support them wherever possible!
Once again, please remember that the comics and media you enjoy are made by real people who are trying to make a living. If you like an artist, you don’t necessarily have to spend money on them, but at least don’t do things that take money from them.
You love my videos…but not enough to watch them or actually read the resources I share in them or on Tumblr huh? Look, I really don’t wanna be a bitch but I’m so so tired of getting this question every Halloween. Right now I have over a dozen “is my costume appropriate?” asks and it’s incredibly annoying disrespectful. I spend a lot of my free time (more than I should) providing information about these issues so you can learn but at some point you need to educate yourself. Not only that, I go out of my way to not be preachy or “aggressive” so no one gets their fee fees hurt when I ask them very nicely not to be racist. Like….I cannot spoon feed you this information anymore than I already have.
My skin color is not a fun costume for you to try on for a night of drunken debauchery and trick or treating. Black people are being KILLED right now just for existing and you want to trivialize our existence for your costume’s “accuracy”? And then you have the nerve to ask me to explain to you why that’s offensive? Because it’s such a burden for you to hop your ass over to Google or scroll back ONE PAGE of my Tumblr and watch the video I made about appropriative costumes? Or maybe you could watch the Kat Blaque video I’ve shared multiple times about blackface where she included extensive research?
I consider myself to be a woman with a high level of patience, but it has worn extremely thin. This is what I get for trying and this is why so many other people of color tell ya’ll to f-off when you demand education. I’m not here to write anyone’s papers, do research for their job, evaluate their Halloween costume or hold their hand and help them feel more comfortable about the casual racism they clearly know they’re partaking in. You know good and well why painting your skin for “accuracy” isn’t ok and if you don’t, Google. And if you still don’t get it, or don’t care, paint your skin and have the time of your life while real life black people march and cry out asking for this country to respect our humanity and stop killing us for being black. Don’t worry though, no one will mistake your painted brown skin for an actual person of color, so you’re totally safe. Have a wonderful Halloween.
I normally have so much respect for the standards of NBC News and The Washington Post, but, with this most recent round of articles, its depressing to see millions of rape victims swept under the rug yet again.
Personally, I’m a guy who had an experience that would fall under the “unwanted sexual contact,” category of the CDC’s numbers. It wasn’t rape, but damn if it didn’t impact me to the point of tears.
I can’t imagine what it’s like for the multitude of women and men out there who’ve flat out been raped in one form or another and can’t even get it counted in government statistics. (A problem I’m sure is even a larger scope than just the one type of rape I address here.)
very useful. i was trying to find some statistics on male rape the other day, and found it very difficult. The bizarre uneven legalities of what qualifies as what makes it very difficult to give numbers. I had been relying on RAINN’s numbers, for instance, which are based on CDC statistics, which as the info-graphic shows, can be very unreliable.
1 in 33 men versus 1 in 6 women was a bit low compared to other articles I had read which put the ratios much closer together, so I’m glad an anon linked me this.
What’s the password
Does Someone Have to Die Before Gamer Gate Ends?
Brianna Wu is a developer and writer who’s penned pieces on the gender imbalance in modern video games and the harassment women in the industry continue to deal with as part of their daily business. She heads up the small studio Giant Spacekat, makers of Revolution 60, a mobile game hailed as “a most triumphant and excellent adventure” by RPGfan.com and denounced as “a bland, uninteresting, feminism circle-jerk” by Metacritic user Realgamer101. I’m guessing that’s not his real name, but there’s no guesswork required to figure out the poster’s gender.
On October 11, Wu tweeted the above screenshot—a series of threatening messages she’d received from a Twitter account that’s since been suspended.
Before we go any further, it’s important to ask whether or not you want to read anything more on GamerGate. Since you’re on this page, chances are you’re aware of the sides in this bizarre online kerfuffle, as well as the problem with giving GamerGate any further coverage: These words may be further fuel for a fire that needs to die down before anyone can properly discuss the more pertinent points raised by a still-evolving debate.
If that means nothing to you, here’s a summary: A (formerly) low-profile indie developer named Zoe Quinn created and released a game called Depression Quest. Some people argued that it wasn’t a game at all—but that’s not the controversy. An ex of Quinn’s published information in August of 2014 implying that she had slept around to secure positive review coverage forDepression Quest. There’s no evidence connecting any alleged promiscuity—which, in any case, is nobody’s business apart from those doing the screwing, anyway—with the reception Depression Quest received, but the conversation quickly turned to ethics: As in, some game journalists were seen to be favorable toward certain projects that they were incredibly tenuously linked to. That connection could be chipping into a Kickstarter pot, or having long ago worked on a collaborative venture together. You get the idea: Person A once spoke to Person B, and for that reason Person A’s recommendation of Person B’s new Game C is clearly completely corrupt.
I WILL NOT BE ASHAMED OF THE SIZE OF MY JEANS
I WILL NOT BE ASHAMED OF THE AMOUNT OF FOOD ON MY PLATE
I WILL NOT BE ASHAMED OF THE HAIR ON MY BODY
I WILL NOT BE ASHAMED OF THE FAT UNDER MY SKIN
I DESERVE TO TAKE UP SPACE
I AM FULLY CAPABLE OF SUCCESS NO MATTER WHAT MY BODY SHAPE
I DO NOT HAVE TO LOOK LIKE ANYONE ELSE
I WILL LOVE EVERY INCH OF MYSELF